SHOOT Magazine October/November 2019 Issue Published Today; Leading Directors Profiles, Cinematographers, Up-And-Coming Directors And Road To Oscar Features


SHOOT is pleased to announce the publication of the October/November Issue available In Print and PDF Version.  The PDF version is available to view or download here (https://SHOOTonline.com/backissues).  The issue continues SHOOT’s long time tradition of profiling both leading directors and up-and-coming directors.  Additional features include “Cinematographers and Cameras” and the second installment of this year’s “Road to Oscar” series.  Also featured in the Issue are SHOOT’s 3rd quarter “Top Ten Music Tracks” Chart and “Top Ten VFX & Animation” Chart.  Rounding out the issue ae regular columns “Short Takes,” “Hot Locations,” “Tool Box” and “Chat Room”.  The October/November Issue is the fifth of this year’s six issue; the last issue of 2019 will be the December Special Year End Issue to be published on December 13.  SHOOT publishes a PDF version of each Print Issue for additional readers to view/download and emails the PDF version to 28,000 opt-in subscribers.  PDF versions of past Issues can be found here. All content is also published in digital format on SHOOTonline with links to each feature, profile, interview, chart and column going out in the same evening’s SHOOT Dailies email newsletter and same week’s Friday SHOOT>e.dition email newsletter.  Click Here to subscribe to any of SHOOT’s free ePubs. 

Here’s a look at just some of what’s in SHOOT’s October/November Issue – see the PDF version Here

The Road to Oscar, Part 2
This 16-part series looks at some of the execs, artisans and films already generating Oscar buzz. This installment features…

  • Rupert Goold, director of Judy (Roadside Attractions) featuring a tour de force performance by Renee Zellweger as Judy Garland.
  • Oscar-nominated cinematographer Cesar Charlone discusses shooting The Two Popes (Netflix) for his long-time collaborator, Oscar-nominated director Fernando Mereilles
  • Production designer Barbara Ling discusses her first collaboration with writer-director Quentin Tarantino: Once Upon a Time….in Hollywood (Sony-Columbia Pictures).
  • Oscar-nominated cinematographer Cesar Charlone discusses shooting The Two Popes (Netflix) for his long-time collaborator, Oscar-nominated director Fernando Mereilles

Cinematographer Mihai Malaimare Jr. reflects on lensing director Taika Waititi’s Jojo Rabbit (Fox Searchlight), the Audience Award winner at the Toronto International Film Festival.

Leading Director Profiles
SHOOT profiles major directors; many have already made or appear poised to make their mark on the awards show circuit for their short and long-form fare. Slated in the profile mix are…

  • Chinonye Chukwu whose Clemency (Neon) is in the Oscar conversation after winning the Grand Jury Award in the U.S. Dramatic Competition at this year’s Sundance Film Festival.
  • Robert Eggers–who earned Best First Feature and Best Screenplay Film Independent Spirit Awards in 2017 for The Witch–reflects on his 2nd motion picture, The Lighthouse (A24), which made a major splash at this year’s Cannes Film Festival.
  • Nisha Ganatra–a Golden Globe-winning and Emmy-nominated director for Transparent, and whose feature directorial debut Late Night (Amazon) scored impressively at Sundance.
  • Marielle Heller adds to her track record of directing tour de force performances (Melissa McCarthy and Richard E. Grant in Can You Ever Forgive Me?), directing Tom Hanks as Mr. Rogers in A Beautiful Day in the Neighborhood (Sony Pictures). 
  • Bong Joon Ho, writer-director of Parasite (Neon), this year’s Palme d’Or winner at the Cannes Film Festival.
  • Dan Krauss (a two-time Oscar nominee for the doc. shorts The Death of Kevin Carter and Extremis) sheds light on his feature documentary 5B, which premiered at the Cannes Film Festival.  
  • Lulu Wang discusses her acclaimed film, The Farewell (A24), which sparked a bidding war earlier this year at the Sundance Film Festival.

Cinematographers Profiles
Leading cinematographers discuss recent work, collaborative relationships with directors and recent camera choices. They include…

  • Natasha Braier, ASC, ADF discusses lensing the Alma Har’el-directed feature Honey Boy, which is making a major mark on the festival circuit.
  • Paul Cameron, ASC–an Emmy and ASC Award nominee for Westworld, shares insights into shooting his latest feature, 21 Bridges (STX Entertainment), directed by Brian Kirk.
  • Checco Varese, ASC sheds light on his lensing of the recently released box office topper It: Chapter Two (Warner Bros. Pictures).

Chat Room Interview

  •  Writer-director Scott Z. Burns discusses The Report (Amazon) in which Adam Driver stars in the true story of Daniel J. Jones, a Senate staffer tasked to investigate the CIA’s post-9/11 Detention & Interrogation Program.

SHOOT Digital & Print high-profile Advertising Opportunities
SHOOT Digital and Print Platforms provide an ideal environment in which to promote your company, news, services, talent roster, locations, equipment/workflow solutions and FYC messages.  Separately or in combination, each offers the ideal environment in which to promote to an audience of industry production & post decision-makers at agencies, brands, movie studios, broadcast/cable networks, production/post companies reaching creatives, executives, producers, directors, cinematographers, editors, vfx artists & supervisors, composers & other music execs, production designers, etc. Here’s a look at our various marketing options…

Upcoming SHOOT Magazine Print Issues (with Bonus PDF version)
The next two issues are…
December Print Issue (with PDF version; out 12/13)

  • Ad Deadlines: Space Reservations: 12/2  ||  AD PDF File due: 12/6 (final extension: 12/9)
  • Print Advertiser Bonus: PDF version of Ad with live link to your Company or FYC site will appear in the PDF version of issue that will be posted on SHOOTonline.com on 12/13 for additional readers to view/download. We’ll help drive readers to the PDF version with banner ads on the SHOOT>e.dition for six weeks after it’s published and we will email the PDf version to the SHOOT>e.dition email newsletter’s 28,000 opt-in subscribers on 12/16.

January/February Print Issue  (with PDF version; out 1/24 )

  • Ad Deadlines: Space Reservations: 1/14  ||  AD PDF File Due: 1/17 (final extension: 1/20) 
  • Print Advertiser Bonus: PDF version of Ad with live link to your Company or FYC site will appear in the PDF version of issue that will be posted on SHOOTonline.com on 1/24 for additional readers to view/download. We’ll help drive readers to the PDF version with banner ads on the SHOOT>e.dition for six weeks after it’s published and we will also email the PDf version to the SHOOT>e.dition email newsletter’s 28,000 opt-in subscribers on 1/27

SHOOTonline.com website with 45,000+ unique visitors per month
7-day or 30-day runs can start any day of the month.  Digital File formats accepted:  JPEG, GIF, Animated GIF, Flash,  HTML5, java script, and third-party tags.   When you purchase a SHOOTonline banner if runs on the Home Page and all pages throughout the site – and there are thousands of pages.  This is key because while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our four email newsletters to they are entering the site on all different pages.
Banner sizes include regular & expandable banners, interstitials and non-standard formats.
Banner Sizes:
970×250, 970×90, 728×90, 300×250, 300×600, 468×60 (expandable banners, interstitials and other custom options available) 
**SHOOTonline is DFA and Jetpack certified**

The SHOOT>e.dition email newsletter 28,000 opt-in subscribers every Friday
Published every Friday, this weekly email newsletter goes to 28,000 opt-in subscribers. 
Banner sizes:  Top 468×60, Side 180×150, Skyscraper 180×600, Bottom 468×60 or 595×250
Specs:  File formats accepted: JPEG, GIF, Animated Gif – max file size: 50K. Banners ae Site served, can provide tracking tags.

SHOOT Custom Email Blasts
You choose the date & time for your custom email blast to be sent out to SHOOT database of 45,000. Provide Image/HTML ready to go or provide image & copy and SHOOT can build the HTML for you. Hugely popular for FYC messages/screening invitations.
Click Here for Custom Email Blast Rates/Specs
You choose the date & time for your custom email blast to be sent out to SHOOT database of 45,000. Hugely popular for FYC messages/screening announcements.
Click on name of film to see web version of just some of the SHOOT Custom Email Blasts from the current and last few Academy Seasons:
First Man   Cold War   A Star is Born   Roma     Black Panther     
BlackKklansman     A Quiet Place   Green Book

The SHOOT Dailies
Published daily Monday-Friday, you can get banner to us the day before. This new email newsletter subscribers: 3,500. Great for making an added splash.
File formats accepted: JPEG, GIF, Animated Gif.  Banner sizes include 728×90, 180×150.

The SHOOT Publicity Wire (SPW) 
Entertainment industry news wire service costs $60. to post publicity release with text, up to seven photos, video, links – ideal for promoting work, above-the-line and below-the-line talent, behind the scenes videos, promos, new films, show launches, award noms & wins and more. It’s just $20 to post a video release – video, brief description & credits. All self-service. Release distribution includes SHOOTonline Mobile App and SHOOT’s opt-in ePubs (SPW Media Alerts, Brand New[s], SHOOT Dailies, SHOOT>e.dition) SHOOTonline.com site placement, archiving & indexing, RSS Feeds, social feeds to Twitter, Facebook, LinkedIn and mobile SMS dynamic feed,and search engine optimization (SEO) for Google, Yahoo, Bing, etc.  

SHOOT Marketing  Contact
For more Information and to reserve ad space, please contact Roberta Griefer, Publisher, via email or 203-227-1699, ext 701
Click Here for Information on the next print issue (updated a few weeks prior to each issue)
Click Here for information on SHOOT Awards Season FYC Marketing

About SHOOT Magazine / SHOOTonline
SHOOT® Magazine and SHOOTonline® are the leading publication and website for Film, TV & Commercial Production and Post; edited for agency, movie & studio creative and production executives, executives at commercial and entertainment production/post companies, TV/Online/Mobile networks, brand marketer production executives, independent filmmakers and artisans including producers/production execs, directors, cinematographers, editors, writers, colorists, production designers, art directors, vfx supervisors/artists/animators, composers, sound designers & mixers. Through its “News” and “ScreenWork” sections, “Columns” and in-depth “Features”, SHOOT publishes timely news, relevant information and a behind-the-scenes look at the best new work, profiles/interviews with industry news makers, film festival, award shows and industry events. In addition, SHOOT reports on the latest cinematography, post & editing technology and equipment. If the work involves advertising or entertainment motion picture content that consumers view on a screen—a TV screen, Cinema screen, Computer screen, Mobile screen or Game screen, SHOOT is searching out who’s doing the most innovative work and what’s coming next. For further information please visit www.SHOOTonline.com®

Information from this SHOOT Publicity Wire release may be redistributed in part or in whole by members of the media, bloggers, and cinema, TV, entertainment, film, commercial, online video production and post, celebrity fan sites.
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